• is a sort of simplified music sampler generated by web coding. The result gets differentiated depending on how the user controls the order and the combination of the activation of sound and visual effects allocated to each of six buttons.
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  • The flatbed picture plane makes its symbolic allusion to hard surfaces such as tabletops, studio floors, charts, bulletin boards—any receptor surface on which objects are scattered, on which data is entered, on which information may be received, printed, impressed—whether coherently or in confusion. The pictures of the last fifteen to twenty years insist on a radically new orientation, in which the painted surface is no longer the analogue of a visual experience of nature but of operational processes.[i]
  • [i] Leo Steinberg, “Other Criteria,” Artforum (March 1972). Reprinted in Steinberg, Other Criteria: Confrontations with Twentieth-Century Art (London: Oxford University Press, 1972), 84.
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